The main dates of the life and work of Georges Bizet. George Bizet. Pages of life and creativity The main genre in the work of Bizet
Georges Bizet is a great French composer, virtuoso pianist of the Romantic era. His works, not always appreciated by contemporaries, survived the creator. Opera Carmen, a masterpiece of musical art, has been gathering audiences in the best theaters of the world for more than 100 years.
Childhood and youth
Georges Bizet was born on October 25, 1838 in Paris. Few people know that the real name of the composer is Alexander Cesar Leopold, in honor of the great emperors, and Georges was received at baptism.
Georges' mother, Aimé, was a pianist, and her brother Francois Delsarte was a singer and vocal teacher. Father Adolf-Aman was engaged in the manufacture of wigs for some time, and then became a singing teacher, despite the lack of special education.
Music constantly sounded in the house on Tour d'Auvergne street, bewitching the child. Instead of playing with peers, little Georges enthusiastically mastered musical notation, his mother taught her son to play the piano.
At the age of 6, Bizet went to school and fell in love with reading, but Aimé, seeing the boy's amazing abilities for music, made him sit at the piano for hours. Thanks to this, on the eve of his 10th birthday, on October 9, 1848, Georges entered the Paris Conservatory of Music as a volunteer in the class of Antoine Marmontel, the famous piano teacher of the 2nd half of the 19th century.
The future composer had absolute pitch and a phenomenal memory, he received the first prize at the solfeggio competition, which gave him the right to free composition lessons from the famous teacher of that time, Pierre Zimmermann. The instrument receded into the background, a dream appeared to compose music for the theater.
After graduating from the piano class, Bizet began studying composition with Fromental Halévy, teacher and artistic director of the Théâtre d'Italiane in Paris. Composing music captured the student of the conservatory, at this time he wrote many works in different genres.
In parallel with the composition, Georges began to play the organ in the class of Professor Francois Benois and soon won the second, and then the first prize of the Conservatory for performing skills.
Music
During his studies, Bizet created the first musical works: the Symphony in C major, unknown until 1933, found in the archives of the Paris Conservatory, and the comic opera The Doctor's House.
The acquaintance of the public with the novice composer took place after a creative competition announced by Jacques Offenbach, the owner of the Bouffe-Parisien theater in Montmartre. It was necessary to write a musical comedy performance with 4 characters. The award is a gold medal and 1200 francs. Bizet presented the operetta "Doctor Miracle" to the jury and shared the prize with Charles Lecoq.
In 1857, for the annual competition of the Academy of Fine Arts, the aspiring composer composed the cantata Clovis and Clotilde, won the Rome Prize, received a grant and went on an internship to Rome. Bizet was fascinated by the beauty of Italy, he became interested in opera, fell in love with music and paintings. In Rome, the composer was supposed to create a cantata under the terms of the grant, but instead he composed the comic opera Don Procopio and the ode-symphony Vasco da Gamma.
In the fall of 1960, Bizet's foreign internship was forced to be interrupted due to his mother's illness, and he returned to Paris. The next 3 years became difficult in the composer's creative biography. Georges was forced to make a living by creating entertaining music for cafe concerts, transcribing orchestral scores of famous works for the piano, and giving private lessons.
As a laureate of Rome, Bizet was supposed to write a comic work for the Opéra-Comique, but this was not possible for personal reasons. In 1961, my mother died, and six months later, the teacher Fromental Halevi died. In 1863, the composer, having overcome his feelings, created the lyric opera The Pearl Seekers, and then the opera The Beauty of Perth based on the plot.
Dmitri Hvorostovsky and Castronovo perform a duet from the opera "Pearl Seekers"In the 70s, the flowering of Bizet's work began. The theater "Opera Comic" hosted the premiere of "Jamile", critics and viewers appreciated the subtle style and elegance of the Arabic motifs of the work. In 1872, the composer composed music for Alphonse Daudet's drama The Arlesian. The production was not successful and was remade by the author into an orchestral suite.
The pinnacle of Bizet's work was the opera Carmen, which was not appreciated during the author's lifetime. The premiere in 1875 failed and caused a negative press reaction, the production was called scandalous and immoral. Despite this, the performance was shown 45 times during the first year. The audience went to him out of curiosity, which doubled after the death of the composer.
Overture to Georges Bizet's CarmenBizet did not live to see his work recognized. The first positive reviews appeared a year after the premiere. "Carmen" appreciated, Johannes Brahms. , who watched the production more than once during the year, wrote:
“Bizet is an artist who pays tribute to the age and modernity, but warmed by true inspiration. And what a wonderful plot of the opera! I can't play the last scene without crying!"
The audience fell in love with the heroine, whose musical portrait is woven from the sounds of habanera, polo, seguidilla. The bullfighter's couplets melted the hearts of the public.
Personal life
Bizet's first love was the Italian Giuseppa. This relationship was not destined to be long, as the composer left Italy, and the girl did not follow him.
An interesting fact in the biography of the author of "Carmen" was the passion of Madame Mogador, known as the Countess de Chabriand, the opera singer Madame Lionel, the writer Celeste Venard. The lady was much older than Georges, enjoyed scandalous fame. The composer was not happy with her, suffered from mood swings and obscene antics. After the breakup, he was depressed for a long time.
Bizet found happiness with the daughter of his teacher Fromental Halévy, Genevieve. The marriage was preceded by a stubborn struggle with the relatives of the chosen one, who were against the wedding. The young people defended their love and got married on June 3, 1869, settled in the Barbizon place, popular with creative people.
Geneviève Halévy, wife of Georges Bizet In 1870, the Franco-Prussian War began, the composer was drafted into the ranks of the National Guard, but was quickly released from service as a Roman Scholar. He took his young wife from Barbizon and returned to Paris, where he helped the defenders of the city as best he could.
On July 10, 1871, Genevieve gave birth to a son, the boy was named Jacques. According to rumors, the composer had two children, the 2nd boy Jean - from the maid Maria Reiter. Georges loved his son and wife, but could not be completely happy in his personal life. Genevieve considered her husband a failure and began an affair with pianist and neighbor Eli-Miriam Delaborde. Bizet knew about this and was very worried.
Death
Bizet's death is still a mystery to researchers. It is known that this happened in Bougival, where the composer's family, accompanied by the maid Maria Reiter, went with her son for the summer. They settled in a two-story house, which has survived to this day, there is a photo of it on the Internet.
Bizet was ill, but this did not prevent him from going for a walk to the river on May 29, 1875, in the company of his wife and neighbor Delaborde. Georges loved to swim. He bathed in cold water. On May 30, the composer collapsed with an attack of rheumatism with fever and unbearable pain, his arms and legs failed. A day later, he had a heart attack. When the doctor came, Bizet felt better, but not for long.
The next day the patient spent in delirium, and in the evening the attack was repeated. The composer died on June 3, 1875. The last person to see the composer alive was Delaborde. The doctor stated the cause of death: a cardiac complication of acute articular rheumatism.
The version voiced by the composer's friend Anthony de Choudan, who was the first to come to Bougeval after learning about the tragedy, became sensational. He said that there was a cut wound on Bizet's neck, which could have been inflicted by the last person who saw Georges alive, namely Delaborde. The neighbor had reasons to kill, he was courting Genevieve, and her husband stood in the way of happiness. Subsequently, Delaborde wanted to marry the composer's widow, but the wedding did not take place.
Another possible cause of death of the creator of "Carmen" researchers consider suicide. In their opinion, the composer inflicted a wound on himself, trying to cut the trachea or artery. There were grounds for such an assumption. Recently, Georges was depressed due to creative failures and illnesses. Before leaving for Bougeval, he put things in order in the papers, made important orders. The doctor who declared the death could hide the fact of suicide at the request of relatives.
Documents confirming any of the versions have not been preserved. Genevieve's uncle, Ludovic Halévy, kept a diary that could shed light on the mystery of the composer's death, but the lines written after the sad event were destroyed. In addition, Bizet's widow demanded that friends and acquaintances get rid of Georges' letters over the past 5 years.
The composer was buried in the Père Lachaise cemetery. At the ceremony, excerpts from the works of the deceased were performed. A year later, a monument by Paul Dubois was erected on the grave with an inscription on the pedestal:
"Georges Bizet, his family and friends."
Artworks
operas
- 1858-1859 - "Don Procopio"
- 1862-1863 - The Pearl Seekers
- 1862-1865 - "Ivan IV"
- 1866 - "Beauty of Perth"
- 1873-1874 - "Carmen"
Operettas
- 1855-1857 - "Eloise de Montfort"
- 1855-1857 - "Return of Virginia"
- 1857 - "Clovis and Clotilde"
- 1857 - "Doctor Miracle"
Odes-symphonies
- 1859 - "Ulysses and Circe"
- 1859-1860 - "Vasco da Gama"
Works for orchestra
- 1866-1868 - "Rome" ("Memories of Rome")
- 1873 - Overture "Motherland"
What was the name of the composer Bizet? Many scholars will immediately answer: Georges. This is true, and not really. The great musician received the name Georges at baptism, but in fact his name was Alexander Cesar Leopold.
Childhood and early years
The future composer Bizet was born on October 25, 1838 in Paris, France. His father, Adolphe Bizet, made a living as a hairdresser and directly as a wig maker. A little later, Adolf began to give music lessons, although he did not have any initial education in the field of art. Georges's mother, Aimé, worked as a pianist, and her brother François Delsarte became famous as a talented singer and vocal teacher who performed at the courts of Napoleon III. Georges was the only child in the family. From an early age, he learned to play the piano from his mother, demonstrating amazing abilities, and already on October 9, 1848, two weeks before his tenth birthday, he entered the Paris Conservatory of Music. It was in this educational institution that a talented young man composed his first well-known compositions.
Musical career
In November 1855, at the age of seventeen, the young composer Bizet wrote his first symphony as homework. Until 1933, it remained unknown and was subsequently discovered quite by accident in the archives of the library of the Paris Conservatory. This symphony was first played in 1935, and it instantly received universal recognition as a masterpiece written by a young, but capable and spiritual musician.
In subsequent years, the young composer participated in various creative competitions, striving to win cash prizes and prestigious prizes, and eventually won the competition for the authors of the opera, arranged by Offenbach. Georges shared first place and a prize of 1200 francs with Charles Lecoq. In several other competitions, Bizet has already won an impressive grant, on which he lived comfortably for the next five years. Of these, he spent the first two years in Rome, a year in Germany, and the last two years in Paris.
In the prime of life
In July 1860, after Georges had left Rome and was still touring Italy, he came up with the idea of writing a four-part symphony in which each piece would be a musical representation of an Italian city—Rome, Venice, Florence, and Naples, respectively. . However, in the same year, the composer Bizet learned that his mother was seriously ill and was forced to end his Italian travels. In September 1860 he returned to Paris; a year later, the musician's mother died. It was not until 1866 that he finally wrote the first version of the completed symphony. Until 1871, he corrected his musical composition in every possible way - and suddenly died himself, without having had time to bring the creation inspired by Italy to the ideal. In 1880 it was published under the title "Roman Symphony".
What is Bizet the composer really famous for? "Carmen" - an opera written on the basis of the short story of the same name by the French writer Prosper Mérimée, became his most significant and famous work. The main role, according to the musician's intention, was intended for the mezzo-soprano. The author wrote most of the opera in the summer of 1873, but it remained unfinished until the end of the next year, 1874. Probably due to problems in his personal life and parting with his wife for two whole months. Although the listeners at first did not take Carmen too warmly, it remains Bizet's best work.
Personal life
The composer Bizet married the daughter of his late teacher, Geneviève Halévy, on June 3, 1869. When the Franco-Prussian War began in July of the following year, the musician, like many of his other creative compatriots, joined the French. Due to the war and post-war chaos, Georges suspended work on many works. On July 10, 1871, Genevieve gave birth to Georges' first and only child, a son named Jacques.
Death
Composer Bizet, whose biography is known to every professional musician today, died of a heart attack at the age of thirty-six. It was rumored that Elie-Miriam Delaborde, allegedly the illegitimate son of Charles-Valentin Alkan, could be indirectly responsible for the death of Georges, since shortly before the death of the latter, two men arranged a swimming competition, after which Bizet caught a bad cold and came down with a fever. At that time, even murder and suicide were suspected, since a wound similar to a gunshot was found on the left side of the composer's neck. Historians, however, believe that this is what the lymph node looked like, which, due to a serious illness and a heart attack, swelled and broke through. Bizet died on the sixth anniversary of his own marriage, exactly three months after the first performance of Carmen. His death came suddenly just when he began to find his own "adult", unique style. Georges Bizet was buried at the Pere Lachaise cemetery in Paris next to the equally famous musicians Chopin and Rossini.
Bizet Georges (1838-1875), French composer.
Born October 25, 1838 in Paris in the family of a singing teacher. Noticing his son's musical talent, his father sent him to study at the Paris Conservatory. Bizet brilliantly graduated from it in 1857 in the composition class of F. Halevi. Already in his senior year, he wrote the operetta "Doctor Miracle".
At the end of the conservatory, Bizet received the Rome Prize, which gave the right to a long trip to Italy at public expense to improve his skills. In Italy, he composed his first opera, Don Procopio (1859).
Returning to his homeland, Bizet made his debut on the Parisian stage with the opera The Pearl Seekers (1863). Soon the next opera was created - "The Beauty of Perth" (1866) based on the novel by W. Scott.
Despite all the musical merits, the opera did not bring success, and in 1867 Bizet again turned to the genre of operetta ("Malbruk is going on a campaign"), And in 1871 he created a new opera - "Jamile" based on A. Musset's poem "Namuna ".
The real fame and glory was brought to the composer by symphonic music for the drama by A. Daudet "The Arlesian" (1872); subsequently, two orchestral suites were composed from it. After the "Arlesian" Bizet again turned to opera - in 1875 the famous "Carmen" was written based on the short story by P. Merimee.
Now it is hard to believe that the work, recognized as the pinnacle of French opera realism, which went around all the opera stages of the world and became one of the most beloved and popular in the history of music, was not successful when first staged in Paris and was soon removed from the repertoire. The failure of his beloved offspring had such an effect on Bizet, who suffered from heart disease from childhood, that he led to a tragic end - he died on June 3, 1875 in Paris.
After the composer's death, the score of the opera Ivan the Terrible (1865) was found in his papers, which was first staged only in 1946.
Name of Georges Bizet (1838-1875), outstanding! French composer, is well known to the widest circles of Soviet listeners, and his wonderful opera Carmen won universal recognition and love.
The musical dramaturgy of "Carmen" reflects and artistically generalizes the collisions and conflicts inherent in real life. The images of the work are vital, truthful. The heroes of the opera - Carmen, Don Jose, Michaela, Escamillo - are ordinary people from the people. They are depicted with lively, bright, temperamental colors.
"Carmen" is distinguished by a peculiar national flavor: the gypsy-Spanish melodies are sensitively reproduced by the composer, in general, without borrowing truly folk themes.
The musical language of the opera, its wonderful melodies combine exceptional clarity with high skill; the language of the opera is democratic and in; at the same time truly original.
Georges Bizet is one of the most significant composers of the 19th century.
Bizet's biographers unanimously characterize him as a cheerful, warm-hearted, sociable, kind and simple comrade, tender to a respectful son. Persistent in work, working very hard and selflessly, Bizet willingly found time for a fun party in a friendly circle, for all kinds of funny undertakings and jokes.
Georges Bizet
Fate did little to indulge Bizet; he repeatedly met with misunderstanding, attacks from professional criticism, among the regulars of theatrical and concert premieres. But optimism did not leave him, and Bizet went forward, overcoming difficult life trials.
A brilliant composer, an excellent pianist, an excellent, multi-talented practicing musician (Bizet, for example, inimitably read the most complex orchestral scores), he was keenly interested in literature, the visual arts, and, of course, the theater.
Bizet was not a consistent supporter of any political trend in contemporary France. He was completely alien to legitimist sentiments - the white lilies of the Bourbons never attracted him. But he was not attracted by the banner of the bourgeois monarchy of Louis Philippe. Nor do we find him among the adherents of Napoleon III.
Undoubtedly, Bizet's socio-political convictions were distinguished by a certain vagueness and inconsistency. However, the freedom and independence of the composer's life judgments and actions, some of his oppositional criticisms of those in power, at least in the field of art, allow Bizet to be ranked among the people of the democratic camp.
Bizet was introduced to the world of music from childhood. He grew up in a musical family: his father was a singing teacher, his mother was the sister of a famous singer. Bizet's talent was discovered very early, and at the age of nine, in 1847, he was already a student at the Paris Conservatory.
His successes turned out to be brilliant both in the piano class of Professor Marmontel and in the class of theory and composition with Professors Zimmermann and Halevi.
Among Bizet's teachers was the young Gounod.
How great was Bizet's pianistic gift, how bright his virtuoso abilities, can be judged by the most interesting testimony of Liszt. Once Bizet - he was then about thirteen years old - was at a musical evening at Halevi in the company of Liszt. Liszt introduced those present to "one of his new and very difficult works, expressing the opinion that, besides himself, only Hans Bülow could perform a piece of such difficulty.
Bizet approached the instrument and, to the surprise of the guests, played this piece from sight, and so well that he delighted the author.
In the year of graduation from the conservatory (1857), Bizet received two prizes: the so-called first Grand
The Rome Prize for the cantata Clovis and Clotilde, as well as the prize for composing the operetta Doctor Miracle, the latter at a non-conservatory competition. While studying at the conservatory, Bizet repeatedly won the title of laureate at performing competitions in piano, organ and solfeggio (1849).
The winner of the Prix de Rome could spend five years, for the purpose of perfection, in Italy and Germany.
Bizet lived in Italy for about three years (1857-1860). He became acquainted with the riches of the immortal classical Italian painting and sculpture with great enthusiasm; but Bizet's Italian musical impressions were much paler.
During his stay in Italy, Bizet worked hard and hard, his composing skills strengthened. In Italy, he wrote his first opera (Don Procopio), close in style to Mozart5 and Rossini6. The great, bright genius of Mozart and the magnificent talent of Rossini enjoyed Bizet's unchanging love in the future.
In 1860, a serious illness of his mother interrupted Bizet's stay in Italy. Soon the mother died. The bright and carefree years are behind us. Bizet was about twenty years old. The second half of his short life began, which he spent almost without a break in Paris in continuous and intense work.
Working with inspiration and thoughtfully, the composer quickly reproduced his ideas on paper. He imagined this or that composition in detail even before the recording began.
During periods when some circumstances hindered his work, Bizet found solace in a different kind of musical work: for example, he was fond of transcriptions - he made arrangements for the piano of opera excerpts, symphonies.
From the beginning to the end of his creative activity, Bizet was distinguished by a high sense of duty and responsibility. He twice took back his works from the opera house, believing that they were not yet perfect enough. Bizet was able to draw lessons from individual creative failures.
Among the compositions of Bizet there are several orchestral ones, for example, the symphony "Motherland", piano pieces and romances. But Bizet's true vocation was opera, music for the theatre.
This area of his work was crowned with the ingenious "Carmen", the creation of which constitutes a whole era in operatic art.
Of course, the deeply realistic and innovative style of "Carmen" could only appear as a result of a significant and complex previous path.
The bright and hitherto popular opera of the “early” Bizet was commissioned by his friend Carvalho, the head of the Lyric Theater, the opera The Pearl Seekers (1863). The exotic plot prompted Bizet to search for fresh colors. The dirism inherent in his work affected the opera. This is evidenced by the famous tenor aria Nadir ("In the radiance of the moonlit night") - an aria that famous singers, such as L. V. Sobinov, willingly included in their concert programs. The Pearl Seekers showed a very important and valuable virtue of Bizet: his art of writing for singers is convenient and effective.
According to the genre, The Pearl Seekers can be attributed to the so-called lyric opera. In this early work, strokes of writing are already outlined, characteristic of Bizet's latest creations.
The Pearl Seekers did not have much success, just as in the future, with the appearance of new works by Bizet, the public did not indulge him with praise and favor.
Carvalho contributed to the writing and staging of Bizet's other opera, The Belle of Perth (1867) based on a plot by Walter Scott. The gypsy dance from this opera is close to a number of episodes of Carmen. In some productions of the opera (and also sometimes in editions of the score and clavier), this dance is included in Carmen, in the fourth act after the famous Intermission.
In the early 70s, Bizet wrote two works in which his creative maturity was already revealed: this is the one-act opera “Jamile”, subtle in color (based on the poem “Namuna” by A. Musset), and especially the music for “Arlesian”.
Carmen - People's Artist of the USSR N.A. Obukhov
The Arlesian is a drama by Alphonse Daudet. Bizet's music for this drama is of exceptional beauty. Various musical numbers were intended to be performed between scenes of the drama, as well as during the action. Two orchestral suites for concert performance were compiled from the best numbers: the first suite of four numbers was performed by Bizet himself, and the second, after Bizet's death, by his close friend, composer Ernest Guiraud. In Arlesian, Bizet's love for folk music was very clearly manifested: in connection with the plot of the drama, Provencal melodies sound. The processing and development of folk Provencal themes are the magnificent march - the first number of the first suite, built in the form of several variations on an invariably repeated melody, and the choir, whose music sometimes sounds in the fourth act of "Carmen" (which was discussed above). Bizet is characterized by the widespread use of dances and marching rhythms in the Arlesian. Here are the march, and minuets, and the fast whirlwind dance of the farandole (also included in the beginning of the fourth act "Carmen" in some productions), and other dance episodes. Bizet's penchant for pictorial-program music showed itself in Arlesianka - this is revealed later in the symphonic intermissions of Carmen. The program numbers of the "Arlesian" include, for example, "The Ringing" and "Pastoral".
Both "Jamile" and "Arlesian" (music for the drama) were held in the theater with modest success. But the two orchestral suites from the Arlesian were immediately liked and have remained in the concert repertoire to this day.
Mikaela - People's Artist of the USSR A.V. Nezhdanova
The music of "Carmen" - the last and greatest creation of Bizet - was composed in 1874. This work saw the light of the ramp at the Opéra-Comique on March 3, 1875. Exactly three months later, on June 3, 1875, before reaching the age of thirty-seven, Bizet died.
There are various speculations about Bizet's early and unexpected death. Apparently, "acute tonsillitis served as the cause of Bizet's death.
"Carmen" suffered the fate of most of Bizet's works. But if other works of his were accepted with indifference, then the brilliant "Carmen" by a certain part of the public and critics was accepted with direct hostility. The hypocrisy of the aristocratic and bourgeois public, immortalized in the image of Moliere's Tartuffe, played a sad role here.
Carmen - People's Artist of the RSFSR M. P. Maksakova
"Carmen" seemed to be an opera of too free content, shocking the audience, even indecent.
The reason for the initial negative responses to the production of "Carmen" were; also the novelty of the music and the new features of the development of the drama. It is no coincidence that the first listeners of "Carmen" relatively liked only those numbers that were more familiar: the bullfighter's couplets, Michaela's aria. One way or another, but "Carmen" was not successful either at the premiere or after the first performances. This could not but affect Bizet. Stories have been preserved of how, after the premiere of Carmen, Bizet wandered around the city in despair the whole night. Undoubtedly, difficult, painful experiences, mental upheavals were one of the reasons for Bizet's untimely death.
Alexander Cesar Leopold Bizet(fr. Alexandre-Cesar-Leopold Bizet , at baptism received the name Georges, fr. Georges; -) - French composer of the Romantic period, author of orchestral works, romances, piano pieces, as well as operas, the most famous of which was Carmen.
Biography
Compositions (full list)
operas
- "Anastasia and Dmitry"
- Don Procopio (opera-buffa, in Italian, 1858-1859, staged 1906, Monte Carlo), also exists, orchestrated by Leonid Feigin
- "Love is an artist" (fr. L'Amour peintre, libretto by Bizet, after J. B. Molière, 1860, unfinished, unpublished)
- "Guzla Emir" (comic opera, 1861-62)
- "Pearl Seekers" (fr. Les pecheurs de perles, 1862-, staged, Lyric Theater, Paris)
- "Ivan the Terrible" (fr. Ivan le Terrible, 1865, staged, 1946, Müringen Castle, Württemberg)
- "Nicola Flamel" (1866?, fragments)
- "Beauty of Perth" (fr. La Jolie fille du Perth, 1866, staged 1867, Lyric Theatre, Paris)
- "Ful King's Cup" (fr. La Coupé du roi de Thule, 1868, fragments)
- "Clarissa Harlow" (comic opera, 1870-71, excerpts)
- Kalandar (comic opera, 1870), Griselda (comic opera, 1870-71, not completed)
- "Jamile" (comic opera, 1871, staged 1872, theater "Opera Comic", Paris)
- Don Rodrigo (1873, unfinished)
- Carmen (dramatic opera, 1873-74, staged 1875, Opéra Comique, Paris; recitatives written by E. Guiraud, after Bizet's death, for a production in Vienna, 1875)
Operettas
- Anastasia and Dmitry
- Malbrook was going on a campaign (Malbrough s'en va-t-en guerre, 1867, the Athenaeum Theater, Paris; Bizet owns the 1st act, the other 3 acts are by I. E. Legui, E. Jonas, L. Delibes)
- Sol-si-re-peep-pan (1872, theater "Chateau-d'o", Pas)
- Angel and Tobias (L'Ange et Tobia, circa 1855-57)
- Heloise de Montfort (1855-57)
- The Enchanted Knight (Le Chevalier enchanté, 1855-57)
- Erminia (1855-1857)
- The Return of Virginia (Le Retour de Virginie, circa 1855-1857)
- David (1856)
- Clovis and Clotilde (1857)
- Doctor Miracle (1857)
- Song of the Century (Carmen seculaire, after Horace, 1860)
- The Marriage of Prometheus (Les Noces de Promethee, 1867)
Odes-symphonies
- Ulysses and Circe (after Homer, 1859)
- Vasco da Gama (1859-60)
oratorios
- Genevieve of Paris (1874-1875)
Works for choir and orchestra (or piano)
- Choir of students (Choeur d'etudiants, male choir, until 1855)
- Waltz (C-dur, 1855)
- Te Deum (for soloists, choir and orchestra, 1858)
- Bahia Bay (Le Golfe de Bahia, for soprano or tenor, choir and piano, circa 1865; music used in the opera Ivan the Terrible, there is a piano version)
- Ave Maria (for choir and orchestra, words by C. Grandmougin, after 1867)
- Song of the spinning wheel (La Chanson du Rouet, for soloist, choir and piano, after 1867), etc.
For unaccompanied choir
- Saint John of Patmos (Saint-Jean de Pathmos, for male choir, lyrics by V. Hugo, 1866)
Works for orchestra
- Symphonies (No. 1, C-dur, Youthful, 1855, score published and performed 1935; No. 2, 1859, destroyed by Bizet),
- Rome (C-dur, 1871, originally - Memories of Rome, 1866-68, performed 1869)
- Overtures, including Motherland (Patrie, 1873, performed 1874)
- Suites, including the Little Suite (Petite suite, from the piano duets of the Game of Children, 1871, performed in 1872), suites from the Arlesian (No. 1, 1872; No. 2, composed by E. Guiraud, 1885)
Works for piano 2 hands
- Grand Concert Waltz (E-dur, 1854)
- Fantastic hunting (Chasse fantastique, 1865)
- Songs of the Rhine (Chant du Rhin, 6-song cycle, 1865)
- Concert Chromatic Variations (Carmen.
piano duets
- Children's Games (Jeux d'enfants, 12 pieces for 2 pianos, 1871)
Works for voice and piano
- Including cycles of songs Album Leaflets (Feuilles d'album, 6 songs, 1866)
- Pyrenean songs (Chants dee Pyrenees, 6 folk songs, 1867)
Music for a drama performance
- The Arlesian (drama by A. Daudet, 1872, Vaudeville Theatre, Paris)
Literature
Stephen, Paul. Georges Bizet. Leben, Umwelt und Werk des Komponisten der Carmen. - Zürich: Atlantis, 1952.
Links
- // Encyclopedic Dictionary of Brockhaus and Efron: In 86 volumes (82 volumes and 4 additional). - St. Petersburg. , 1890-1907.
- Brief summaries (synopses) of Bizet's operas on the site "100 operas"
- B. Kushner. Letter of recommendation: A page from the life of Bizet // Vestnik (Boston), No. 10 (347), May 12, 2004
- Georges Bizet: sheet music of works at the International Music Score Library Project
Categories:
- Personalities in alphabetical order
- October 25
- Born in 1838
- Deceased June 3
- Deceased in 1875
- Composers alphabetically
- Musicians alphabetically
- Composers of France
- Academic musicians of France
- opera composers
- Romantic composers
- Born in Paris
- Laureates of the Rome Prize
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See what "Bizet, Georges" is in other dictionaries:
- (Bizet) (1838 1875), French composer. The operas The Pearl Seekers (1863), The Beauty of Perth (1866), Jamile (1871), and Carmen (1874) are the pinnacle of French realistic opera. Music for the drama by A. Daudet "The Arlesian" (1872, popular ... ... encyclopedic Dictionary
Georges Bizet (1838-1875), French composer. Alexander Cesar Leopold Bizet (at baptism received the name Georges) was born in Paris on October 25, 1838 in a musical family: his father and maternal uncle taught singing. V… … Collier Encyclopedia
Bizet (Bizet) Georges (Alexander Cesar Leopold, named Georges at baptism) (10/25/1838, Paris, ‒ 3/6/1875, Bougival, near Paris), French composer. The son of a singing teacher. Ten years old he was admitted to the Paris Conservatory, from which he graduated in 1857. ... ... Great Soviet Encyclopedia
Alexandre César Léopold Bizet Alexandre César Léopold Bizet Composer Date of birth: October 25, 1838 ... Wikipedia
- (25 X 1838, Paris 3 VI 1875, Bougival, near Paris) ... I need a theater: without it I am nothing. J. Bizet The French composer J. Bizet devoted his short life to musical theater. The pinnacle of his work Carmen is still one of the most ... ... Music dictionary
- (Bizet) one of the most gifted French composers, whose talent was most clearly expressed in his world-famous opera Carmen, b. Oct 25 1838 in Paris, † in Bougival June 3, 1875 from heart disease. Father B., a singing teacher, noticing in ... ... Encyclopedic Dictionary F.A. Brockhaus and I.A. Efron
- (real name Alexander Cesar Leopold; 1838–1875) - French. composer, pianist. Georges is a family nickname. Got music. education at the Parisian cons., where he entered at the age of 9 years. Laureate of the Roman Avenue (1857). Author of 7 operas. Most means. op. –… … Encyclopedic Dictionary of Nicknames
