Dementyev's wife Anna Pugach is from what family. Biography of Andrey Dementiev. Personal life of Andrey Dementyev
Andrei Dementyev is known as a poet and editor of Yunost; his creative biography, public and personal life were equally eventful. On July 16 of this year he would have turned 90, but Andrei Dmitrievich literally did not live three weeks before the anniversary.
Biography
The future poet was born in 1928 in Tver (Kalinin). Soon his father became a victim of repression and ended up in the Gulag. It was not easy for a family that lost its breadwinner. But that wasn't the only problem. When Andrei thought about choosing a profession after school, it turned out that a number of paths were closed to him due to a “damaged profile.” His documents were not accepted into the Military Medical Academy.
Only 2 years after graduating from school, he managed to enter the pedagogical institute in his hometown. But after the first year, in 1949, Dementyev left for the capital and entered the literary school, where he studied for 3 years.
Andrey in his youthAt the time of admission, he had only one publication in the local newspaper - a poem “To a Student”. After completing his studies at the university, he also began his working career in his homeland.
Career
Andrei Dementyev worked for several years in the editorial offices of Kalinin periodicals, on radio, at the age of 30 he headed a book publishing house, and in 1959 he was admitted to the Writers' Union. He also worked in the propaganda department of the Komsomol Central Committee.
In 1967, the Moscow stage began in the biography of the writer and editor. In the capital, he comes to the publishing house "Young Guard", first in the poetry department, after 5 years he becomes deputy editor-in-chief, and in 1981 he heads the editorial board of the magazine "Youth". He handed over this post to Viktor Lipatov only in 1992.
Poet performing on stage Numerous photographs from different years can tell about the poet Andrei Dementiev, his work biography and personal life. In many of them he is pictured next to other celebrities - Boris Polev, Evgeny Yevtushenko, Maya Plisetskaya.
Dementyev also took part in a number of television programs, in many of them as a guest. In 1997, he headed the representative office of the RTR television channel in Israel and participated in the creation of 3 television films about this country. After 3 years, he was recalled from the post of head of the bureau. The media immediately saw a connection between the poet’s resignation and the publication of a number of critical poems written by him. One of them directly denounced RTR.
On TV, Dementyev hosted mainly entertainment programs, and on Radio Russia in 2001 he became a political commentator. In the same year, his author’s radio program “Turns of Time” began airing, which immediately won a high rating.
Andrey Dementyev at a press conference Andrei Dmitrievich is also known as the initiator and active participant in a number of peacekeeping programs; he was one of the founders of the Peace Foundation. His social activities are closely connected with literary ones. The poet participated in literary seminars, and for several years headed the examination committee at his native Literary Institute. In 1981-91 he was Secretary of the Board of the Writers' Union. Over the last 10 years of his life, he was a member of the Public Chamber of the Russian Federation.
Andrey Dementyev is a holder of 7 state orders of the USSR and the Russian Federation, an Honored Artist, and he has also been awarded several dozen public, regional, and departmental awards, including literary prizes.
Poet with Senator Valentina Petrenko Creation
Active social activities, the work of an editor, television and radio host never distracted Andrei Dementyev from creativity. The first collection with the simple name “Lyrical Poems,” which included his own creations and translations, was published in 1955. To date, fifty books have been published, mostly poetic, with a total circulation of more than 300 thousand copies, including translated editions in foreign languages.
Hundreds of poems were set to music and became songs performed by pop stars.
In the 70s, the poet also wrote children's stories about Mikhail Kalinin, whose name his hometown bore. Some books of later years included letters and journalistic articles. In 2009, a collection of autobiographical prose was published.
Some collections of Dementiev's poems are thematic. One of them included works about his favorite poet, Lermontov. Andrei Dmitrievich was inspired to create two more by Jerusalem, where he spent 3 years.
The poet speaks to fans The collection “I Keep Falling in Love with You,” released in 2015, was dedicated to Dementiev’s last wife, Anna Pugach.
Personal life
Talking about Andrei Dementiev, his biography, personal life, it should be mentioned that the poet had 4 wives. He first married at the age of 19 to a former classmate, but soon after the wedding he left to study in Moscow, and his wife remained in Kalinin. The couple had no children, feelings faded away during separation, and they soon separated.
Returning to his hometown, Andrei Dmitrievich, who was working at Kalininskaya Pravda at that time, fell in love with a student, and in 1954 their daughter Marina was born. The second marriage turned out to be more durable, but also broke up.
With Anna Pugach In the third, the poet’s son Dima was born, and he also adopted his wife’s daughter from his first marriage. The most tragic page in Andrei Dmitrievich’s personal life is connected with his son. Dmitry grew up, got married, became a father at 22, and at 27, in 1996, he shot himself while on vacation in the Caucasus.
The reason for his suicide was his tense relationship with his wife. The woman suffered from periodically worsening mental illness, and a few years later she also committed suicide.
The only grandson and full namesake of Andrei Dementyev, raised by his grandmother, became an actor. His most famous role is Zhenya Pudeev from Barvikha. You can find photos of him and his grandfather together on the Internet.
Grandson and full namesake of Dementyev Andrei Dementyev took care of his children at any stage of his biography and personal life; the death of his son became a tragedy for him, although he had separated from his mother by that time. His last, fourth marriage turned out to be the strongest and happiest. Anna Pugach, who came to Yunost immediately after school, fell in love with the legendary poet and charmed him. Despite the almost 29-year age difference, they soon got married. Dementyev called her his muse, his very first reader and his strictest critic.
- as a child, Andrei sang excellently, he was predicted to have a great future as a vocalist, but after teenage withdrawal, his voice became insufficiently expressive;
- Dementyev is known as a lyric poet, but he repeatedly suffered due to harsh, critical poetry. So, because of “Black Raven” (a poem about a car that carried away prisoners in Stalin’s times), he was not released into Germany;
- Andrey Dementyev and Boris Polev went to BAM to take a symbolic part in the completion of the construction of certain sections;
- his poems are engraved on the pedestals of many monuments - to the Teacher in Krasnoyarsk, to the Woman-Mother in the Kemerovo Region, to the liquidators of the Chernobyl accident in Tver;
- Andrey Dementyev is an honorary citizen of Tver and Oblast, the author of the words of the anthem of his native city, the initiator of the creation of the House of Poetry in it.
Death
At the beginning of the summer of 2018, Andrei Dmitrievich was hospitalized at the Botkin Hospital after suffering from a cold; at first his condition improved and doctors discharged him. But soon the poet was again admitted to the hospital, this time 1 City. Despite the efforts of doctors, he died on June 26. The cause of death was listed as complications of a long illness.
Andrey Dementyev at the book presentation The farewell, funeral service and funeral took place on June 29. The poet rests next to the grave of his son Dmitry at the Kuntsevo cemetery.
The poet, whose poems about love are read by millions, got his first experience of family life very early - at the age of nineteen he married his classmate. But Andrei and Alisa lived together for no more than two years and separated after they felt that they were moving away from each other. Second wife of Andrey Dementyev was a student. He met her at the age of twenty-six, they got married and even gave birth to a daughter, but this marriage also broke up.
In the photo - Andrey Dementyev with his wife
The poet married for the third time when he was already over thirty. In this marriage, Andrei Dmitrievich had a son, but this did not save his family from divorce. This happened due to the fact that Andrei Dementyev met his new love. He came to Anne Pugach only with a razor and a toothbrush, leaving everything acquired to the old family. The poet met Anna at the editorial office of Yunost magazine, where she came to work immediately after graduating from school.
Andrei Dementyev’s fourth wife is thirty years younger than him. Before they got married, they were just colleagues for a long time - Andrei Dmitrievich was married, and there was no talk of any romance. A business trip abroad changed everything, during which Anna seemed to Dementiev to be a very interesting, deep person. On his recommendation, Anna Pugach was appointed a member of the editorial board. Soon Dementiev realized that he had finally fallen in love, and after that he decided to leave the family and marry Anna.
Anna Pugach comes from the town of Kolomna near Moscow, from where many years ago she went to Moscow to enroll at Moscow State University to become a journalist. She learned that preference for admission is given to applicants who already had experience in this field, so Anna went to look for a job and ended up in the editorial office of the Yunost magazine. At first, she temporarily got a job as a letter clerk, and then, when she was already a student, she was hired on as a staff member. She transferred to the evening department to make it easier to combine work with study.
At that time, Andrei Dementyev was already the editor-in-chief of the magazine, and for a long time they never crossed paths at work. Only later, when Anna Pugach had already become an experienced editorial employee, did they have to resolve some work issues. After that foreign business trip, they were united not only by work moments, but when, during the crisis, Dementyev left Yunost, Anna Pugach left after him. Since that time, Andrei Dementyev’s wife followed her husband wherever he went, and most recently they worked together in a Russian radio and television broadcasting holding company.
Interesting too.
The wife of the famous poet brought singer Sergei Zakharov to the hospital with night calls
For almost a quarter of a century, the wonderful composer and singer Evgeny MARTYNOV, who created “The Ballad of a Mother” (“Alexey, Alyoshenka, Son”), “Apple Trees in Blossom”, “Swan Fidelity”, “I Call You My Alyonushka”, “is no longer with us.” Tell me, cherry" and many other favorite songs. Nevertheless, serious passions still rage around his name and work. A clear confirmation of this was the recent evening in memory of Evgeny Grigorievich in the Rossiya concert hall, dedicated to the 90th anniversary of the birth of his mother, front-line nurse Nina Trofimovna.
As always, I was invited to perform by Evgeniy’s younger brother, composer Yuri Martynov, who has been holding these evenings for many years,” said singer Anastasia Mintskovskaya. - The first person I met upon entering “Russia” was the deputy director of the hall, Igor Yator. “What are you doing here?” - he asked with horror and rolled his eyes at me, as if I had come to the club of men’s interests for my husband. “Actually, I came to sing at the evening in memory of Martynov,” I answered. “What are you singing?” - Yator clarified. I called it “Seagulls over the Water” based on the verses of Andrei Dementyev and “I Made It Up” based on the verses by Mikhail Tanich. “Dementyev forbade singing his songs,” said Igor. - Get out of here immediately! Do not sing under any circumstances!” “Otherwise what? - I asked. - Will I be cut off the air? Will they not be invited to concerts where Kobzon participates? I’m already cut out and not invited. Therefore, out of principle, I will sing.” “Well, I warned you,” he hesitated. As it turned out, Dementyev’s wife Anna Pugach called other participants in the evening with the same warnings. “Here I decide who should be and who shouldn’t be,” she said. Can you imagine what insanity! Pugach apparently didn’t dare call me. She knows that I only have three words for her, one of which is the preposition “on.” Some time ago, Dementiev himself invited Julian and me to participate in his creative evenings in Israel and at the Jewish Center in Moscow. At these evenings, I had a conflict with Kobzon over who should sing the song “And I don’t need it from you.” Then Pugach showed up in my dressing room and began to be indignant that I was behaving incorrectly with Joseph Davydovich. “Listen, your husband is a great poet. But you’re just with him. “You’re nobody at all,” I said and rudely asked her to leave.
Phone to TV
I also had problems with Dementiev at previous evenings in memory of my brother,” admitted Yuri Martynov. - When the program was called after a song based on his poems “Swan Fidelity” or “I want swans to live,” his wife Anna Davydovna Pugach immediately appeared and, on behalf of the great Russian poet, made claims to me. Moreover, always material. Like, you have to pay for such a great name. “Who should pay you?” - I asked. “The swindlers who organize this,” answered Pugach. I had to explain to her that I myself am the organizer and sponsor, and in order to cover all expenses, I even refuse royalties due to me as my brother’s heir. Yes, there are two more heirs - Zhenya’s widow and his son Sergei. But they live in Spain and do not take part in anything. Moreover, they have not contacted me for 10 years. Or on Channel One as part of the “Good Health!” program. We made an issue dedicated to Zhenya. They called this program “I will give you the whole world” - after a song based on the poems of Ilya Reznik. Dementyev came to the shooting and threw a scandal at me: “Why is the program not called after my song?” Then he began to demand: “Let Luda Ryumina sing “Swan Fidelity”!” “But she never sang it,” I tried to explain. “She doesn’t even have a soundtrack.” As a result, Ryumina sang “Apple Trees in Blossom” to the verses of the same Reznik. Dementyev took this as an insult. “Yura, you set this up,” he was indignant. “Why did you forbid Ryumina to sing my song?”
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But this time the discontent of Dementiev and his wife resulted in open conflict. At first they didn’t like the artists I invited. “Again you are collecting these “downed pilots” - Anastasia, Yulian, Nadzhiev,” they grimaced. - We need to change them. There is a new good singer, Evgeniy Yuzhin. The Basques are simply nothing compared to him.” I met them halfway and included Yuzhin and their other protégés, the Respublika group, in the program. Then Dementyev demanded that his colleague Ilya Reznik be removed from the program. “This is a poetic swindler,” said Andrei Dmitrievich. “If he takes part in the evening, I won’t be there.” At this point I couldn’t stand it. “I have no control over your legs,” I said. “But I won’t choose between you and Reznik.” But the main stumbling block was the song “White-Winged Flight” based on the verses of Igor Kokhanovsky, after which we decided to name the program. This song has a very interesting story. In 1975, Zhenya, like many, was shocked by a newspaper publication about how a drunken company led by the chairman of a collective farm shot all the swans on the lake. He told poets he knew about this - Kokhanovsky, David Usmanov and Dementyev. And all three wrote poems on this topic. Zhenya failed to compose music for the poems of Kokhanovsky and Usmanov. No matter how hard my brother tried, it came out looking like something similar - either the screensaver from the program “In the Animal World” or Oleg Ivanov’s song “Leisya, my song.” As a result, Zhenya created his own original melody and gave it to Dementiev for subtext. This is how the well-known “Swan Fidelity” appeared. But Zhenya really liked Kokhanovsky’s poems. He kept coming back to them and asking me to come up with something with them. In the end, I understood why Zhenya couldn’t make music for them. In the chorus he switched to a minor key, as in “Swan Fidelity”. And I moved it to major. And it turned out to be a wonderful song, sung by Nikolai Baskov.
Dementiev and Pugach didn’t understand it at first and thought that the name of our evening, “White-Winged Flight,” was inspired by “Swan Fidelity.” And when they realized that this was a song based on Kokhanovsky’s poems, something unimaginable began. They sent me a telegram: “Due to the fact that the evening is called the words of an unknown song by Martynov and has little to do with his creative collaboration with Dementiev, do not put Dementiev on the playbill, and joint songs only with approval.” Then we wrote letters to the “Russia” hall and to the Russian Society of Authors, prohibiting our evening. But this had no effect. By law, neither Dementiev nor anyone else can prohibit the performance of legally published songs. Then they ran to Kobzon and told him that something terrible was being prepared. After which I received a call from Joseph Davydovich and said that he refused to participate in this disgrace. They refused to perform without Dementyev and Yuzhin with the group “Respublika”, whom they so forcefully imposed on me. Anna Davydovna tried to intimidate other participants in the concert with criminal prosecution. Sergei Zakharov even had a hypertensive crisis after her nightly calls. He was taken by ambulance to the hospital. But everyone else, fortunately, came and sang everything that was supposed to be sung.
In principle, it was possible to spend the evening without Dementiev’s songs. Zhenya had 27 co-authors-poets, among them Voznesensky, Rozhdestvensky, Kharitonov, Tanich, Dobronravov, Derbenev, Shaferan, Plyatskovsky. And he was indirectly related to many songs of which Dementyev is listed as a co-author. For example, everyone knows the songs “The nightingales are singing, pouring out”, “Father’s Letter”, “You bring me the dawn”, “Tell me, mother”, “If you are young at heart”. The texts for them were written by David Usmanov, an entertainer from Rosconcert, who worked in the same touring crew with Zhenya and spent a lot of time traveling around the country with him. But under the authorship of Usmanov, most of these songs were not passed by the artistic council. And in order to overcome this obstacle, he took as a co-author Dementyev, who was the editor of the magazine “Yunost”, secretary of the Writers’ Union and party leader. Using the same scheme, the texts for Zhenya’s songs were written by Alexey Pyanov, Andrei Dmitrievich’s deputy in the editorial office of Yunost. And in 1979, Zhenya had a quarrel with Dementiev. Then at the artistic council they “cut down” all their new songs. They said the poems were no good. Zhenya called Andrei Dmitrievich and asked him to go with him to a reception with the Chairman of the State Television and Radio Broadcasting Company Lapin and help resolve this issue. “I’m not going anywhere,” Dementyev said. “They are fools, but my poetry is great.” My brother got so angry that he threw the phone at the TV. It happened before my eyes. After that, until Zhenya’s death, she and Dementiev practically did not communicate.
The only thing is that Zhenya turned to Andrei Dmitrievich several times and asked when he would return him 70 thousand rubles, which he lent in 1978 to build a dacha and buy a car. Then my brother’s fees flowed like a river. If ordinary people had a salary of 150-250 rubles, then Martynov, starting in 1974, did not receive less than several thousand a month. There was nowhere to spend this huge money at that time. Zhenya had lunch and dinner every day at the Sofia restaurant, which was located in the same building as the editorial office of the Yunost magazine. He constantly treated the same Dementyev and many others there. “If someone comes without me and says that I invited him, give him food and drink! – he warned the Sofia employees. “And then I’ll come and cry.” Seeing that his brother was living in grand style, everyone began to ask him for a loan. And not 500 rubles, but 20-50 thousand. Moreover, the positions were occupied by people who could not be refused - heads of music editorial offices of radio and TV, editors of the Melodiya company, etc. Once in Sofia, in front of me, an ordinary employee of the Yunost radio asked him for 10 thousand. “Leva, you are the first to ask for such a modest amount,” Zhenya was surprised. – I just lent your boss 50 thousand. And Dementyev – 70 thousand. Can you at least explain why you need so little?” “My wife is nagging me: everyone borrowed a lot of money from Martynov, and you are his friend, you drink with him and still haven’t borrowed anything,” Lyova opened up. “But you will never return these 10 thousand,” Zhenya said and took out his wallet. - I have a thousand. Take it as a sign of our friendship and you don’t have to return it!”
The brother looked into the water. None of the debtors ever paid him back: some disappeared, some died. I remember how he called the widow of one of the editors and reminded her of a receipt from her husband for 40 thousand. “Zhenya, shame on you!” - the widow was indignant, making it clear that it was useless to demand anything from her. I’m not sure that Dementyev also repaid him the entire debt. As his brother said, the dacha that Andrei Dmitrievich built with borrowed money soon burned down. Fleeing from the fire, his previous wife Galina jumped out of the window and broke her leg. And hopes for future royalties, from which the poet expected to pay off his brother, according to him, did not come true. As scary as it is to admit it, everyone was interested in Zhenya’s death. Speaking at his wake, Dementyev said: “We all owe it to Zhenya.” Then everyone at the table laughed and said: “Especially you.” Despite all this, I don’t blame Dementiev for anything and don’t want to quarrel with him. I care about all the authors who collaborated with Zhenya. And I would be glad to see Andrei Dmitrievich again at our evenings. But his wife can’t calm down. Through RAO he is demanding 800 thousand for allegedly violating Dementiev’s copyright. He is filing some statements about my alleged non-payment of royalties for the publication of the disc “The Ballad of the Mother”. Although I have a license agreement signed by Dementiev that he transfers copyright free of charge. I am very sorry that Andrei Dmitrievich is being manipulated and, speaking on his behalf, they are putting him in a stupid position.
Was there a dacha?!
Andrei Dmitrievich cannot answer the phone,” said Anna Pugach, who answered Dementiev’s mobile number, in a stern voice. – Why on earth are you calling and asking questions about Martynov’s evening?! Why did Dementyev have to take part in it? Is this his responsibility? Andrei Dmitrievich has done so much for Zhenya’s memory. It was he who spent the first evening dedicated to him. As soon as Zhenya passed away, there was a huge program on Channel One, where Andrei Dmitrievich sat in an empty hall and talked about him, about their friendship, about their work. And at the first request of his brother Yura, he always came and performed at memorial evenings. He did not take any money for his performances, although tickets were sold for these evenings. Neither Dementyev nor I even thought about talking about it. Memory is sacred. But now Andrei Dmitrievich has decided, for hygienic reasons, to no longer have any dealings with Martynov’s brother. Yuri Grigorievich is an unsanitary person. As an heir, he behaves inappropriately. He believes he has the right to rewrite history after 25 years, compose songs, and come up with some supposedly found melodies left over from his brother. He does not coordinate with Dementiev either the repertoire or the composition of the participants in the evenings he hosts. Andrei Dmitrievich wanted his songs to be performed by young guys who had already successfully proven themselves in them - Evgeny Yuzhin and the Respublika group. Yes, they were on the poster. But they didn't even call. I don’t want to say, but I was told that Yura began twisting the guys’ arms and demanding money from them. After that, dirt was thrown at us about some material claims, about a dacha allegedly built at Martynov’s expense, etc. In fact, Dementiev doesn’t even have a dacha. And he did not make any fortune on Martynov. When Zhenya, as a boy, at Kobzon’s invitation, came to Moscow and came to Dementyev with a song based on his poem “The Ballad of the Mother,” Andrei Dmitrievich was already the deputy editor-in-chief of “Yunost” and an accomplished poet. Here Yuri Grigorievich just lives off his brother’s songs - he holds evenings all over the country, releases discs and DVDs. I'll tell you a secret - as an heir, he owns only part of the copyright. There is also the widow and son of Zhenya Martynov, to whom he does not inform about his projects. Before saying anything about money, he still has to settle accounts with his widow and son. And Andrei Dmitrievich, at 86 years old, continues to work - he publishes books every three months, writes new songs with Pauls, Dobrynin and other authors. And it does not depend in any way on the remuneration for Martynov’s songs. The 5-10 thousand rubles that RAO pays for them is simply ridiculous. What benefit could there be?! And even more so, Dementyev does not make any material claims to Yura. His interests as an author are protected by RAO. They make sure that all required royalties are made. And Andrei Dmitrievich does not interfere in all this. There is no need to involve a worthy person in some petty and vile consumer affairs! Don’t think that this is a threat, but as a producer, as a wife and as a person who has worked with Dementiev all his life, I will look after his interests if his name is somehow smeared or there is some kind of defamation of facts!
Graduated from secondary school No. 6 in 1946. Began literary activity in 1948 - poem “To a Student”, “Proletarskaya Pravda” (Kalinin city). As a schoolboy I was involved in a literary circle. Studied at the Kalinin Pedagogical Institute ( 1948-1949 ). On the advice of S. Narovchatov, he transferred to the Literary Institute. M. Gorky, studied in the seminar of M. Lukonin, then E. Dolmatovsky (graduated in 1952). He returned to his hometown, on the recommendation of his fellow countryman - B. Polevoy - took up journalism, wrote essays, reports, feuilletons; Meetings with interesting people during business trips served as an impetus for the birth of poetry.
Literary employee of the agriculture department of Kalininskaya Pravda ( 1953-1955 ), head of the Komsomol life department of the regional newspaper “Smena” ( 1955-1958 ), member of the USSR SP ( 1959 ), instructor of the propaganda and agitation department of the Komsomol Central Committee ( 1967 ).
Since 1967 lived in Moscow. He was editor of the poetry department of the Molodaya Gvardiya publishing house, deputy editor-in-chief ( 1972 ), and then editor-in-chief of the magazine "Youth" ( 1981-1992 ). In October 1990 signed the "Roman Appeal".
In 1997 was appointed to the post of director of the Middle East representative office of RTR in Israel.
In 2003-2006 was the host of the “People Want to Know” program on the TV Center channel, but was fired by the channel’s management without explanation, most likely for publishing a book of poignant journalistic poetry, “New Poems.”
More than 50 books of the poet’s poems have been published, not counting numerous collections of selected and best poems from different years.
The first collection "Lyrical Poems" ( 1955 ) left in Kalinin. Dementyev himself subsequently said about his first book that it was “uneven, because life was uneven, unsmooth and ambiguous.”
In the books of poems “Through the Eyes of Love” ( 1962 ), "Sun in the House" ( 1964 ), "Alone with Conscience" ( 1965 ), “Near you and love” ( 1976 ), "Birthday of the Day" ( 1978 ), "Excitement" ( 1983 ) and others, the main place is occupied by lyrics, the author's monologue predominates, addressed to his contemporaries and filled with problems, hopes, thoughts of the time being lived through. In Dementiev’s poems there are declarations of love to a woman, mother, native land, open rejection of everything false and evil. The position of the lyric poet is in the very titles of the poems: “Trust”, “Kindness”, “Love”, “Ballad of Loyalty”, “I hate lies in people...”, “Don’t you dare forget teachers...”, “ My muse, you are a sister of mercy...” Having seen the grief of war and experienced it himself, Dementyev highlights in his lyrics such poems as “The Ballad of Mother” and “Western Tourists” (both 1966 ).
“The worst thing in poetry, in my opinion, is immunity,” reflects Dementiev, “a kind word is always complicity.”
From book to book, Dementiev moves on, adding to it, the section “Strophes” - short poems, marked by a desire for aphorism, sometimes excessive straightforwardness, and edification.
Dementyev is the author of many songs, among them “Father’s House”, “Swan Fidelity”, “Stuntmen”, “Give Me Recognition”, etc. He explains his work in this genre by family tradition (in Dementyev’s house they loved the song, his grandfather and mothers had beautiful voices and often sang Russian folk songs). In the first decades of his journey, he also wrote poems: “Courage” ( 1958 ), "The Road to Tomorrow" ( 1960 ), "Russia" ( 1964 ).
Of interest is the book of Dementyev’s lyrics “Snow in Jerusalem” ( 1993 ), so named “at first impression,” because the snow “with its purity united (in the poet’s soul) Russia and the Holy Land. Dementyev included in the book old poems that were especially dear to him (“Plisetskaya’s Sandalwood Profile...”, “Father,” “Daughters,” “In Memory of Vysotsky,” etc.) and new ones (“Garden of Gethsemane,” “A Russian fell in Jerusalem.” snow...", "In exile", "I remembered the Volga near the Jordan...", etc.). The main themes of Dementiev's late lyrics are history and modernity, the fate of his compatriots. At the same time, Dementyev remains faithful to the moral postulates characteristic of his poetry of previous years: “I owe nothing to anyone, / Because I have never lived on credit.” The book “Snow in Jerusalem” was designed by I. Glazunov.
Dementyev is a laureate of the USSR State Prize ( 1985 ) for the book of poems "Excitement".
This author is familiar to any reader. At children's parties, his invariable sound is heard: “Don’t you dare forget the teachers!” At corporate events dedicated to March 8, men quote with inspiration: “There are no unloved women - there are unmet ones...”. And from the radio receivers we hear the lines of famous songs: “Forgive me, my love, for other people’s evil...”, “Apples in the snow - pink on white, what should we do with them - with apples in the snow?”, “I draw, I I’m drawing you, I’m drawing you sitting by the window...” All these poems were written by Andrei Dmitrievich Dementiev, whose biography is little known to a wide circle of his readers.
However, the author’s poetry, like a mirror, reflects the main milestones of his creative path. Where would we be without this? It is the events and meetings that happened in life, the experiences and joys that befell us, that constitute the source from which lyrics are born.
Biography of Andrey Dementyev: childhood
The poet was born on July 16, 1928 in Tver on the Volga. The city is rich in famous countrymen, but among the poets whose homeland is the former Kalinin, one can perhaps only mention the “king of Russian chanson” Mikhail Krug. So Tver is rightfully proud of Dementiev, who is its honorary citizen. Andrei Dmitrievich warmly remembers his parents - Maria Grigorievna and Dmitry Nikitich, a wooden house with a mezzanine, the Volga, where local boys swam and rowed in the summer, and skated and skied in the winter.
In 1936, the future poet went to school, so his “universities” fell during a difficult war time. In the classrooms hung maps with red and blue flags, demonstrating the advance of troops on the fronts. The lessons began with reports from the Sovinformburo. His father was arrested under the notorious Article 58, and Dementyev was raised by his mother. At times, life was so difficult that in adolescence Andrei almost took his own life.
Biography of Andrey Dementyev: youth
Due to the fact that his father and uncles were in the camps, the young man was unable to enter the Military Medical Academy and the famous Institute of International Relations, as he wanted. He ended up at the philological department of Tver Pedagogical. But three years later he transferred to the world-famous Literary Institute named after A.M. Gorky in Moscow. Recommendations for him were written by famous authors in those years, Mikhail Lukonin and Sergei Narovchatov.
Dementyev felt happy and eagerly absorbed information at lectures and seminars. Still would! After all, Paustovsky and Kataev, Tvardovsky and Simonov, Marshak and Ehrenburg taught at the institute.
Biography of Andrey Dementyev: professional activities
After graduating from the writing institute, the young man returned to Tver. He worked in the agricultural department of Kalininskaya Pravda, then in the regional newspaper Smena, and wrote poetry at night. The poet's first poem was published in 1948 here in Tver. The author’s first 5 books, published from 1955 to 1963, were also published in his hometown. In 1959 Dementyev became a member of the USSR Writers' Union.
However, real poetry, a vibrant creative life, was in Moscow, and Andrei Dmitrievich was eager to go there with all his soul. While still a poet, he joined the party. In 1967, he received the position of instructor in the propaganda and agitation department in the apparatus of the Central Committee of the Komsomol in the capital. It was difficult for a creative, “unkempt” personality to get used to life according to bureaucratic laws. But it was in the Central Committee that real male brotherhood was present, and character was strengthened here.
Moscow did not break Dementyev. He worked for several years at the Young Guard publishing house. And in 1972, an absolutely amazing era began. Dementiev becomes first deputy editor-in-chief, and then editor-in-chief of the legendary Yunost magazine. He worked for 21 years in this publication, publishing Vasiliev and Aleksin, Voznesensky and Yevtushenko. During his time as an editor in Yunost, Yuri Polyakov’s “100 days before the order” and “Regional emergency”, “About Fedot the archer, a daring fellow” by Leonid Filatov, “The Island of Crimea” by Vasily Aksenov and “The Life and Adventures of Soldier Ivan” were published Chonkin" by Vladimir Voinovich. The magazine's circulation under Dementiev reached more than 3 million copies.
In the 90s, the poet ended up in Israel, where he worked for several years as the head of the Middle East representative office of RTR. Later he worked on radio and television. He was fired from his job more than once: either for publishing objectionable poems or for preparing a hotly political program. All this time, the author’s books were published, songs based on his poems appeared.
Biography of Andrey Dementyev: personal life
The poet was married four times. From his second marriage he has a daughter, Marina, who now lives in St. Petersburg. From the third marriage - his wife’s daughter Natalya (adopted by Dementiev) and son Dmitry. A terrible tragedy occurred in the poet's life. Son Dmitry died at the age of 30, shooting himself literally in front of his wife. The poet blames himself for what happened all his life. However, a grandson grew up - the poet's namesake, Andrei Dmitrievich Dementiev, who chose a career as an actor.
Andrey Dementyev is a poet whose biography is full of happy and tragic moments, ups and downs, perhaps because his work penetrates the souls of numerous readers.
